Anthologies
Sleeve Notes
5,227,706 Scotsmen Can't Be Wrong! is a compilation album from the early 70's representing three of Scotland's best known folk singers of the period. All of the material on this record is from other Transatlantic albums with no previously unreleased songs—to my knowledge. All three of these performers possessed a keen sense of humour, with Matt McGinn emerging as the most prolific and accomplished songwriter. Watt Nicoll makes reference to his association with "bog" (toilet) songs and there are 2 prime examples on this record. Perhaps not to everyone's taste, but they are funny. Hamish Imlach, to my thinking, would be considered the more versatile folk performer, although as his career progressed he tended to stick more to the comical songs. For more information on these singers, please visit their respective pages.
Here's tae us
Wha's like us
Gai few
And they're a' deed.
Watt Nicoll, Hamish Imlach, Matt McGinn—three of the best known names on the Scottish folk scene, and equally well known to English audiences through records and occasional sorties South of the Border. If you have ever attended a rousing evening hosted by one of the above named gentlemen, then you have probably laughed along with many of the songs.
We have tried to present here some of the best examples of Scottish humour; the heart-rending tale of a young lady stuck in the loo (Plumbers & Joiners), and a warning to beware of a formidable warlike Amazon (Biddie McGrath) These and other classics are within this sleeve, so loosen your trousers (or elastic), relax, and enjoy.
Keith Bleasby
Sleeve Notes
Going to Scotland is the nearest you can get in the British Isles to going abroad without crossing the sea. It really is a totally different country with different scenery, architecture, attitudes and culture. The folk music of Scotland is known throughout the world because the music of Scotland says more about the country and its inhabitants than anything else. But this is not a boring cultural record. Scottish traditional music it may be, and largely performed by Scots, but anyone with an artistic soul will recognise that this is basically just sheer entertainment. Scottish folk songs are like the evergreens of popular western music: they have a quality that makes every new performance of them enjoyable and they never seem to go stale.
Perhaps with the exception of "The Skye Boat Song" performed here by the McCalmans, very few of the other titles on this album will be recognised by any other than the folk aficionados. But the melodies are all instantly recognisable, as are the artists.
Here we have Alex Campbell, for example, who was perhaps most important in the van of recorded British folk music in the early sixties, just before the great revival. The Ian Campbell Group too did much to popularise Scottish and Northern English folk music during the same period. Hamish Imlach has been an influence on everyone in the folk world, whether they know it or not, as has Archie Fisher.
And there are plenty of other names on this carefully compiled album, not least of them Dave Swarbrick, who is not Scottish, but who cares.
This album presents the complete breadth of Scottish music from laments to reels. A veritable treasure chest for the enthusiast and an extremely entertaining forty-odd minutes for the casual listener.
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